front cover of The Foreign and Domestic Dimensions of Modern Warfare
The Foreign and Domestic Dimensions of Modern Warfare
Vietnam, Central America, and Nuclear Strategy
Howard Mumford Jones
University of Alabama Press, 1988

An exploration of the nuclear arms race and the dangers arising with the advent of “limited warfare”

After the development of the atomic bomb in 1945, Americans became engaged in a "new kind of war" against totalitarianism. Enemies and objectives slipped out of focus, causing political and military aims to mesh as a struggle to contain communism both at home and abroad encompassed civilians as well as soldiers. In matters relating to Vietnam, Central America, and the nuclear arms race, the domestic and foreign dimensions of each issue became inseparable. Policymakers in Washington had to formulate strategies dictated by "limited war" in their search for peace.

Contributors to this volume demonstrate the multifaceted nature of modern warfare. Robert H. Ferrell establishes the importance of studying military history in understanding the post-World War II era. On Vietnam, Colonel Harry G. Summers, Jr., gives an intriguing argument regarding the U. S. Army; George C. Herring examines how America's decisions in 1954 assured deepened involvement; and Captain Mark Clodfelter uncovers new evidence concerning "Linebacker I." On the home front, Robert F. Burk analyzes the impact of the Cold War on the battle for racial justice; Charles DeBenedetti puts forth a challenging interpretation of the antiwar movement; and James C. Schneider provides perspective on the relationship between the Vietnam War and the Great Society. On Central America, two writers downplay communism in explaining the region's troubles. Ralph Lee Woodward, Jr., fits the Nicaraguan revolution in the long span of history, and Thomas M. Leonard shows how the Reagan administration forced Costa Rica to side with the United States's anti-Sandinista policy. Finally, on nuclear strategy, Donald M. Snow offers a thought-provoking assessment of the "star wars" program, and Daniel S. Papp recommends measures to promote understanding among the superpowers.

These essays demonstrate that the making of foreign policy is immensely complicated, not subject to easy solution or to simple explanation. Despite these complexities, the central objective of policymakers remained clear: to safeguard what was perceived as the national interest.

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front cover of Here and There in Mexico
Here and There in Mexico
The Travel Writings of Mary Ashley Townsend
Mary Ashley Townsend, edited by Ralph Lee Woodward Jr.
University of Alabama Press, 2001

 Mary Ashley Townsend was a novelist, newspaper columnist, and poet laureate of New Orleans who made several trips to Mexico with her daughter Cora during the last two decades of the 19th century. She collected her impressions of many aspects of life in that country—flora, fauna, architecture, people at work and play, fashion, society, food—and wrote about them during a time when few women engaged in solo travel, much less the pursuit of travel writing. Her collected work was still in progress when she died in a train accident in 1901, and was never published.

Renowned Latin Americanist Ralph Lee Woodward Jr. discovered Townsend’s manuscript, along with many of the author’s personal papers, in the Special Collections division of Tulane University’s Howard-Tilton Library. In addition to annotating the text, he has written a critical introduction to the work that provides excellent background information about the author and places the work in its historical and cultural context.
Townsend’s writing provides an unusual feminine perspective on Mexico as she describes the country during the middle years of the Porfirio Diaz dictatorship, a pivotal time in Mexican history. Though Townsend does not delve heavily into politics her observations of people’s lives provide a valuable source for social historians of the period.
Here and There in Mexico will make new contribution to the field of Latin American studies and to the travel literature genre, both as a primary source for historians and as a well-written account of a southern woman’s impressions of Mexico during a crucial period in that country’s development.
 
 
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